Tubeview: The Deep – sci-fi drama with James Nesbitt & Minnie Driver

August 3, 2010
By

A cast and a half go under water for the BBC

The Deep

Episode 1: To the Furthest Place

BBC One, Tuesday 3rd August, 9pm

Rating: ★★★☆☆

“Something’s coming over me, there’s something above me, it’s huge, can someone hear me?  God it’s coming back again, it’s coming back over me … Oh God it’s swallowing me up.”

No, it’s not the soundtrack to a skin flick, these were the last words recorded by Dr Catherine Donnelly on her deep diving mission to investigate new sources of energy in hydrothermal vent fields – she, and the crew of her submarine Hermes were never heard of again.

Six months later, her husband Clem (James Nesbitt) is returning to the ocean deep. Captained by Frances (Minnie Driver),Orpheus is off to finish the work Catherine started – but the last minute arrival of Raymond (Tobias Menzies) throws the cat amongst the pigeons as the crew discover that they first must recover the black box recorder from Hermes.

Now things aboard Hermes are rather tense for several reasons. Firstly there’s Clem – he keeps having flashbacks of his dead wife, and popping down to seabed where she met her maker isn’t really helping things. Elsewhere, Frances has been involved in extra-marital relations with Samson (Goran Visnjic) a marine biologist with more than just an eye for crustaceans. Now that’s all very well you might think, but when Sampson gets in trouble, will Frances’s judgement be clouded by her personal feelings, ultimately jeopardising the safety of her ship and crew?

However, the most tension on board the ship is being created by Raymond. He was a last minute addition to the crew and claimed to be a salvage investigator. Pretty soon it transpires that Ray knows a lot more about the mysterious problems around these hydrothermal vents than he was first letting on. Members of the crew are becoming anxious, who is Raymond and who does he work for ? But don’t ask too many questions, people have a habit of dying around our beloved Ray.

Now deep below the Arctic Ocean, the crew are out of radio contact with the surface.  Any problems they encounter from here on in, they’ll have to sort out themselves, or die trying.  The logline should have been: “In the deep, no one can hear you drown” … but it wasn’t.

In essence The Deep is a bit of a mash-up of ideas, driven by a lust to imitate anything vaguely Doctor Who-esque and deliver a sure fire ratings winner. It’s a bit like Alien underwater with a bit of Star Trek thrown in, a sprinkling of Jaws, a smidgen of Lost and a touch of Cold Feet on the side.

It wants to be a serious drama, but there are a lot of things that detract from it achieving its goals.


Although much of the script is fairly tight and well written, the use of exposition is far too obvious in the introduction of characters. There's too much “Mr Hopkins is an abandonment and salvage investigator, I'll let him explain why he's here ...” and “I've never dived this deep before ...”, and you can't help but feel a little cheated by these clunky lines.

Nicely crafted and emotional scenes are somewhat over-egged by soft-focus flashbacks to happier times and just as tension begins to mount, especially between James Nesbitt and Minnie Driver (who both do very well), the licence fee budget CGI effects intervene, reminding the viewer that this is not a feature film, it was made for a fraction of the price by the BBC.

Although Clem and Raymond have a good dynamic between their characters and there is an obvious ongoing and deepening tension between Frances and Samson, it's hard to see how this show has the legs to keep us interested for five instalments.

The supporting cast is fairly weak. Svetlana (Vera Filatova) is a Ukrainian physicist who is about as convincing aboard CSV Hermes as Checkov was on USS Enterprise. Maddy (Antonia Thomas) is a rookie and a worrier, but her (quite rational) fears are expressed in such a way that they fail to translate into empathy from the viewer. Oh, and there's the ships geek, Vincent (Sacha Dhawan) - even after the whole first episode, it is still not clear what he adds to the dynamic of the show.

Overall, it is worth sampling The Deep if you like sci-fi thrillers, but sadly I failed to be thrilled by much of the show. I realise that it's difficult to introduce characters, set the scene and deliver high drama in the first episode of a programme, but just because it's difficult isn't a reason for the BBC not to do it.

James Nesbitt described the project as “a filmic world” which “doesn't feel like normal BBC drama”. In that I have to agree. It does have many of the elements of a film, the way it's shot, the dialogue, the pace ... but a film should only be 120 mins … the BBC are going to try and drag this out for five hours …

… It could be this over-ambition that ultimately sinks this show into the deep, I hope I'm wrong.

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